One of the paintings that I saw in Wittenberg has been returning to my mind as of late. It is a rather unremarkable painting on the back side of the altarpieces at St. Mary’s church in Wittenberg. St. Mary’s is the congregation that Luther served as pastor.
The panel I am thinking of is the one unrestored panel on the bottom. The most notable thing about it is not really the artwork, but the fact that 16th-century confirmands used to clandestinely try and etch their names into it. One prominent name stands out: H. Luther. Hans Luther was Martin Luther’s son.
Over these past couple of weeks, I have thought about that painting a few times as my family has journeyed through my own father’s death in July.
I am sure it was not easy being Martin Luther’s child, as Luther was one of the most significant people in Europe by the time Hans came into the world. Martin Luther had a lot going on in his life. By all accounts, he was a good and devoted parent, but I am sure there were times when Hans felt it hard to gain his attention with all that Martin was attending to. I am also sure that Hans did not anticipate that his deep etching would stand out for centuries and become perhaps the most memorable aspect of the panel!
Martin himself had sought his father’s attention, but not in the way he expected. His father had planned for Martin to attend law school. But Martin had theology in mind for his studies.
In moments of grief and change, transition and endings, whether it is the death of a parent, marriage, divorce, job change or retirement, we are forced to evaluate our lives (or at least it is a good idea if we want to manage grief and other emotions). We are forced to contemplate what was and what now will be. Though I have often said the same about churches and congregations facing change, it served as a reminder this year, when I was faced with the death of my grandmother and now my father, that the emotions and grieving process don’t always give you the bandwidth for a lot of good self-reflection. We have also been engaging in this work of facing grief and change as people of faith, and we know that communities and congregations around us are also working through their experiences of grief and change. Nothing is straightforward, through all of this, nor is it easy.
When I think of little Hans Luther etching his name on the altar painting, I also think of all the art and symbols that surround his cry for recognition. Images of baptism, communion, preaching – Word and Sacrament, the tangible promises that God gives to communities of faith. These are the things that help us navigate difficult times and changes in significant relationships.
Even among timeless pieces of art such as those that adorn St. Mary’s Church in Wittenberg, there is room for the pastor’s son to leave his mark and to be remembered by history. Perhaps reminding us that even in these imperfect and complicated parts of life, God makes room and holds us in God’s promises.







